Alaoui, Sarah Fdili. “Movement Expressivity in Interactive Systems.” Presented at The Beautiful Dance Moves Creativity Cognition 2013 Workshop, Extended Abstracts, June 17-20, 2013, Sydney, Australia.
Alexander, Kirsty. “Unravelling the Dance: An Exploration of Dance’s Underdeveloped Relationship with its Kineasethetic Nature, with particular reference to Skinner Releasing Technique.” New Connectivity Conference, London: Laban, 2003.
Ambrozic, Mara, Angela Vettese. Ed. Art as a Thinking Process: Visual Forms of Knowledge Production. Berlin: Sternberg Press, 2013.
Barrett, Estelle, Barbara Bolt. Practice as Research: Approaches to Creative Arts Enquiry. London and New York: I.B. Tauris & Co Ltd., 2009.
Bogart, Anne and Tina Landau. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. New York: Theatre Communications Group, 2005.
Born, Georgina. Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. Berkeley, Los Angeles, and London: University of California Press, 1995.
Broadhurst, Susan and Josephine Machon (Ed.) Identity, Performance and Technology: Practices of Empowerment, Embodiment, and Technicity. London, UK: Palgrave Macmillan, 2013.
Corness, Greg. “Mapping Movement Through Intention in Interactive Performance.” Presented at CHI 2011, May 7–12, 2011, Vancouver, BC, Canada.
Corness, Greg. “Performer Model: Towards a Framework for Interactive Performance Based on Perceived Intention.” Presented at NIME08, June 5-7, 2008, Genova, Italy.
Davis, Douglas. Art and the Future: A History/Prophecy of the Collaboration between Science, Technology, and Art. New York and Washington: Praeger Publishers, Inc., 1973.
Dyson, Frances. Sounding New Media: Immersion and Embodiment in the Arts and Culture. Berkeley, Los Angeles, and London: University of California Press, 2009.
Eddy, Martha. “A Brief History of Somatic Practices and Dance: Historical Development of the Field of Somatic Education and its Relationship to Dance.” Intellect Ltd., Journal of Dance and Somatic Practices, Vol. 1, No. 1, 2009.
Feldenkrais, Moshe. Awareness Through Movement: Health Exercises for Personal Growth. New York: Harper & Row Publishers, 1972.
Gehm, Sabine, Pirkko Husemann, Katherina von Wilcke, Eds. Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. New Brunswick and London: Transaction Publishers, 2007.
Haseman, Brad. “Tightrope Writing: Creative Writing Programs in the RQF Environment” Keynote address for Perilous Adventures: Creative Writing Practice in the Higher Degree and Beyond. Eleventh Annual Conference of the Australian Association of Writing Programs. Brisbane, Australia: Queensland University of Technology. URL: http://www.textjournal.com.au/april07/haseman.htm[January 1, 2012].
Johnston, Andrew and David Clarkson. “Exploring Interaction in Large-Scale Dance Works.” Presented at Creativity & Cognition 2013, June 17 – 20, 2013, Sydney, Australia.
Karnow, Curtis E.A. “In Collaboration with Machines.” MIT Press: Leonardo, Vol. 30, No. 4, 1997, pp. 247-248.
Loke, Lian and Toni Robertson. “Moving and Making Strange: An Embodied Approach to Movement-Based Interaction Design.” ACM Trans. Comput.-Hum. Interact. 20, 1, Article 7 (March 2013), 25 pages. DOI: http://dx.doi.org/10.1145/2442106.2442113.
Malhotra, Renu. “Orbital Resonances and Chaos in the Solar System.” Presented at Solar system Formation and Evolution ASP Conference Series, Vol. 149, 1998.
May, Jon., Calvo-Merino, Beatriz., Delahunta, Scott., McGregor, Wayne., Cusack , Rhodri., Owen, Adrian., Veldsman, Michele., Ramponi, Cristina and Barnard, Philip. “Points in mental space: an interdisciplinary study of imagery in movement creation.” Dance research Vol. 29 No.2, 2011: pp. 402-430.
McCormack, Derek. “Thinking-Spaces for Research Creation” 14 Inflexions 1.1 “How is Research-Creation?” May 2008. Available: www.inflexions.com
Naugle, Lisa Marie. “Technique/Technology/Technique.” Congress on Research in Dance: Dance Research Journal, Vol. 30. No. 1, Spring 1998, pp. 13-15.
Oliveros, Pauline. Deep Listening: A Composer’s Sound Practice. New York, Lincoln, and Shanghai: iUniverse, Inc., 2005.
Paine, Garth. “Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology.” Proceedings of the 2004 Conference on New Interfaces for Musical Expression (NIME04), Hamamatsu, Japan.
Paine, Garth. “Interactivity, where to from here?” Organised Sound, 7(3), 2002, pp. 295-304.
Pearce, Celia, Sara Diamond, and Mark Beam. “BRIDGES I: Interdisciplinary Collaboration as Practice.” MIT Press: Leonardo, Vol. 36, No. 2, 2003, pp. 123-128.
Rokeby, David. “The Construction of Experience: Interface as Content.” In "Digital Illusion: Entertaining the Future with High Technology," Clark Dodsworth, Jr., Ed. Boston: Addison-Wesley Publishing Company, 1998.
Rodgers, Tara. Pink Noises: Women on Electronic Music and Sound. Durham and London: Duke University Press, 2010.
Salter, Christopher L., Marije A. Baalman, and Daniel Moody-Grigsby. “Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance.” In Computer Music Modeling and Retrieval. Sense of Sounds, Kronland-Martinet, Richard, Ystad, Sølvi, Jensen, Kristoffer (Eds.) Lecture Notes In Computer Science, Vol. 4969. Springer-Verlag, Berlin, Heidelberg, 2008, pp. 246-262.
Saltz, David Z. “Media, Technology, and Performance.” The John Hopkins University Press: Theatre Journal, Vol. 65, No. 3, October 2013, pp. 421-432.
de Spain, Kent. “Dance and Technology: A Pas de Deux for Post-Humans.” Congress on Research in Dance: Dance Research Journal, Vol. 32, No. 1, Summer 2000, pp. 2-17.
Schiphorst, Thecla and Kristina Anderson. “Between Bodies: using Experience Modeling to Create Gestural Protocols for Physiological Data Transfer.” Presented at ACMCHI 04, CHI Fringe 2004, Vienna, Austria.
Valverde, Isabel and Todd Cochrane. “Innovative Dance-Technology Educational Practices within Senses Places.” SLACTIONS 2013: Research Conference on Virtual Worlds- Learning with simulations. Procedia Technology 13: Elsevier Ltd., 2014, pp. 122-129.
Weber, Jutta. “From science and technology to feminist technoscience.” In K. Davis, M. Evans, & J. Lorber (Eds.), Handbook of gender and women's studies. (pp. 397-415). London: SAGE Publications Ltd., 2006.
Wright, Alexa and Alf Linney. “The Art and Science of a Long Term Collaboration.” Presented at the New Constellations Conference, Museum of Contemporary Art, Sydney, 17 March 2006.
Xin Wei Sha, Michael Fortin, Navid Navab, and Timothy Sutton. 2010. Ozone: continuous state-based media choreography system for live performance. In Proceedings of the international conference on Multimedia (MM '10). ACM, New York, NY, USA, pp. 1383-1392.
Xin Wei, Sha. “Poetics of Performative Space.” Poetics Today. Springer-Verlag London Limited, 2005.
Create your own unique website with customizable templates.